The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
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CinemaSerf
7
By CinemaSerf
There's a powerful little low-budget effort with Ralph Richardson called "The Silver Fleet" (1943) that illustrates just how difficult it was for those in the occupied territories to continue to do what was right without looking like a collaborator and/or ending up against a wall of Nazi bullets. Well here, Steven Spielberg takes that dangerous occupation and scales it up somewhat as the eponymous Czech industrialist and arms manufacturer (Liam Neeson) finds his increasing revulsion to the brutality of their new occupying power driving him, with the able assistance of his Jewish factory manager "Stern" (Ben Kingsley), to find ways to keep them from being routinely slaughtered. Getting them out is not really an option, so he invents ways of convincing the authorities that they are more useful alive and decently fed/housed - even suggesting the usefulness of children's small fingers to polish shell casings - to avoid them being deported to the now fully functioning Auchwitz extermination camp. The story is history but the manner in which it is delivered here is poignant and potent. Schindler's gradual shift from a venally induced indifference to one of active concern is well handled by Neeson's considered performance and Kingsley works well as his low-level but crucial co-conspirator. Plaudits must also go to Ralph Fiennes with, I think, the best portrayal of his career as the odious Commandant Goeth who combines just about every element of the worst in human nature into one ghastly individual eliciting a palpable degree of loathing. Does it need to be 3ΒΌ hours long? Well I'm not so sure about that, and there are times when the repetitive oppressiveness of their gruelling environment risks de-sensitising the message a little, but for the most part the abusive and terrifying lives led by the Jewish prisoners and the increasingly perilous path being taken by those trying to help is well held together with some stunning cinematography and an untypical John Williams score. It's definitely a big screen occasion - somehow television reduces it's impact, so if you can see it in a cinema. Either way, it does offer some salutary lessons in man's inhumanity, and humanity to our fellow man!
