Star Trek

A franchise re-energised-big time! It's not an understatement to say that the news of a new Star Trek movie was met in equal measure by suspicion and pretty low expectations. Step forward J.J. Abrams to direct it, and many wondered while the guy behind TV series "Lost" and "Mission Impossible III" would want to dabble on hallowed sci-fi turf?. Things were further eyebrow raising when Abrams openly admitted to not having been a fan of the original show so cherished by a legion of Trekkies. Then news came of the film being a prequel, based around the Starfleet Academy and the coming together of what we know as the U.S.S. Enterprise crew. "Ooh that will be a tough one to carry off" said many, "Kirk & Spock as young spunkers - surely not" they said. Well not only did Abrams pull it off as it were, he simultaneously appeased most Trekkies whilst garnering a whole new generation of sci-fi observers. Budgeted at $140,000,000, Abrams Star Trek went on to gross Worldwide $384,953,778. Figures that, even allowing for the huge fan-base that the franchise has, show that many first timers not only went to see it - but also that they enjoyed it so much they went back for second helpings. I know I did. The success of the film isn't hard to fathom, because although Abrams upped the action quota (with a number of breath taking and eye appealing sequences) he also dispensed with much of the sci-fi psycho babble that has blighted some of the previous filmic instalments in this most up and down of franchise's. Sure there's stuff in there for the discerning fan, with a time travelling revenge plot at its axis, how could there not be?, But Abrams and his writers (Roberto Orci /Alex Kurtzman) keep it simple, savvy and sexy. They smartly link to Trek lore with a crucial plot and character development featuring the Kobayashi Maru, while pain, emotional conflict and personal crisis all feature heavily. This is, one can "logically" say, a spiky post 9/11 Trek movie. There's even room for a romantic strand, a strand that is tender and fits the whole make-up of the piece perfectly. All of which only works because the cast are, in the main, producing great work. Getting Leonard Nimoy to appear in a small, but crucial role, is nothing short of being a master-stroke. His presence keeps the all important essence of Star Trek within what is ultimately a reboot. It's like a father figure watching over proceedings, making not only the cast feel safe, but also us the viewers. The youngsters in the cast are impressive, Chris Pine (Kirk), Zachary Quinto (Spock) and Zoe Saldaña (Uhura) lead from the fresh faced front. While Karl Urban (Bones McCoy) and Simon Pegg (Scotty) impact with comic relief that aids instead of hinders the plot developments. Villain duties falls to Eric Bana as Romulan Captain Nero, he's a touch miffed is Nero, and Bana brings the character's vengeful pain vividly to life. While Bruce Greenwood as Captain Christopher Pike adds a touch of class that he almost always seems to do. This U.S.S. Enterprise has launched itself in another direction, and yes, it's boldly going where no-one has boldly gone before. It is, all told, a bona fide blockbuster with brains and balls. The like of which has sadly been missing from many a modern era summer release. Yes it's not all perfect, the odd scene could quite easily have been jettisoned, and some accents need a bit of fine tuning, but they are very minor complaints. A triumph from Abrams and his team - note the Stardate in the ships log, for this is a noteworthy moment in modern sci-fi cinema. Now comes perhaps a bigger challenge, the notoriously difficult second film... 10/10

I quite enjoyed this. It is a simple, end-to-end action adventure set in space. It doesn't attempt to moralise or philosophise, it is just an interstellar shoot 'em up. Chris Pine is pretty wooden, Zachary Quinto does a passable "Mr. Spock" and Anton Yeltsin seems to be having a good time trying to get the onboard computer to recognise his particularly thick "Chekhov" accent. Sadly Eric Bana completely lacks menace as "Nero" and Simon Pegg's "Scotty" is just plain irritating but the special effects are stunning. If you're just looking for a bit of brain fodder with phasers, then this is your film...