Blazing Saddles

Blazing Saddles

By

  • Genre: Western, Comedy
  • Release Date: 1974-02-07
  • Runtime: 93 minutes
  • : 7.249
  • Production Company: Crossbow Productions
  • Production Country: United States of America
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7.249/10
7.249
From 1,859 Ratings

Description

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

Trailer

Reviews

  • CinemaSerf

    7
    By CinemaSerf
    I grew up watching the "Friday Western" each week on the television so am a bit steeped in the genre to which this takes an entertaining, and loving, swipe. "Hedley Lamarr" (Harvey Korman) is out to trash his own town so he can buy up the land cheaply for his railroad. What better way to drive folks away than to appoint an African-American sheriff? The shrewd "Bart" (Cleavon Little) knows full well that he has precisely no support from his community - not the sharpest tools in the box - so he signs up the mean "Waco Kid" (Gene Wilder) as his deputy. A gunslinger of ill-repute, he and his boss gradually convince the sheepish townsfolk that they can fight back against the scheming "Lamarr" and maybe even foil his not so cunning plan. My personal favourite scene has to be the wonderful imitation of Marlene Dietrich by Madeline Kahn singing "I'm Tired", but there are loads of other skits of everything from "High Noon" to "Chisum" with Slim Pickens and David Huddleston providing some genuine western credentials to the proceedings. Auteur Mel Brooks pops up once or twice, in differing guises, to add a bit of additional comedy to his already quite daft storyline that is respectful of cowboy movies but also quite potently critical of their stereotyping characters, their repetitive storylines and usually, their entirely predictable conclusions. This mixes all of that up with Little and Wilder gelling well, presenting us with a genuinely laugh out loud, occasionally slap-stick, critique of one hundred years of a theme of cinema that has probably not really evolved that much since 1874!

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