The Postman

The Postman

By

  • Genre: Science Fiction, Adventure, Action
  • Release Date: 1997-12-25
  • Runtime: 177 minutes
  • : 6.249
  • Production Company: Tig Productions
  • Production Country: United States of America
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6.249/10
6.249
From 1,063 Ratings

Description

In 2013, there are no highways, no I-ways, no dreams of a better tomorrow, only scattered survivors across what was once the United States. Into this apocalyptic wasteland comes an enigmatic drifter with a mule, a knack for Shakespeare, and something yet undiscovered: the power to inspire hope.

Trailer

Reviews

  • CinemaSerf

    7
    By CinemaSerf
    With things unstable in his native Chile, renowned poet "Neruda" (Philippe Noiret) takes refuge on a small Italian island where his arrival is greeted with little more than a realisation that they are going to need to hire an extra postman! Step forward "Mario" (Massimo Troisi). He can barely read or write but is determined to engage the visitor in conversation and to learn from him. Initially indifferent, "Neruda" begins to converse with him as he delivers the daily post and when he declares he needs some help to woo the charming "Beatrice" (Maria Grazia Cucinotta), he finds himself with a new mentor. Now it's fair to say that his first attempts are maybe just a little too rough and ready. Too many references to the shapeliness of her breasts and such like, but gradually "Mario" learns how to express himself more fully, more characterfully, and less earthily too. This education also opens his eyes to what has been going on around him for years. His island doesn't even have running water and with elections looming, he finds himself drawn to a communist cause as he watches the visiting politicians make promises he knows will never be delivered. His new found political awareness doesn't always go down so well with his compatriots who just want to get on with their simple, maritime, lives. This adaptation of Antonio Skármeta's book really does imbue the characters with a generous spirit and loads of charisma. It's all understated, and the evolution of "Mario" is really well handled by Troisi who sort of co-directed with Michael Radford and with a delicately honest effort from Noiret too. The cinematography benefits hugely from the natural island scenario which at times seems to mirror the emotions being played out by the people. This is also quite an effective analysis of what constitutes poetry itself. The subtlety of the structure of the words that don't rely on the all-too-familiar rhymes is used to good effect. Another film that befits hugely from a cinema screen to enjoy the brightness and Luis Bacalov score and is really worth a watch.

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